ANDREW BRYAN CARSON


(c)2004 Kerry Pendergrast

Gypsies

your words
only dreamt
of being gypsies they
lived on the borders
of your mouth
never venturing
from the neighborhood
of your thoughts
but your fingers'
sweet migration
populated my chest -
were armor piercing bullets
i bobbed and weaved
punch-drunk
and ran from sunlight like
a vampire.


3 am
and the footfalls
of heartbeats swallow
the silence
i lay
inside the imprint
in the mattress
in vain
insane
trying to wear your
body's memorization
so i can breathe again
the air has long ago
abandoned this place.

 

Requiem #9

she said she'd come

and i know this time

will be the balm for achings

to baptize the savageness of my skin

in her flesh-blues

to bury and unearth myself

in her warm sanctuary

bow her moistened strings

til her soul sings hymns

through her mouth

and longing to feel the rising of her south

i'll join my negro-spirituals, prayers

and field hollers

planting my need

to liberate life seed to meet

the reaping of her coming/

 

i'll punish her absentee days

and costumed excuses

with whiplashes of tongue baths/

to vindicate dial-tone mirages

from taunting receivers,

i'll allow confession at the altar of my mouthpiece,

til granting her pardon i

snow a blizzard in july/

 

i'll glimpse the green flame

of her eyes between long eclipses

and control the separation of her lips

through the dividing of her thighs

though she controls my soul

i'll drown her lies in a tsunami of seed

attempting a semblance of conversation

through the beating and chanting of bodies because

 

we don't talk anymore/

inside idle words

and minutes masqueraded,

we wait -

to fuck

and addictively i clutch this

trying to swallow a substitution

for a mind stroked

intellect provoked

without feeling choked

 

until she comes

i won't breathe all the way

and run the risk of marring the mojo

or misquoting the mantra

of praying and hoping

pacing and groping at pocket change

that won't change the pathway

of irresistible clock hands

or redirect the caravan of el trains

birthing foreign matter

as my eyes scatter

scanning races of unfamiliar faces

searching for two flashes

of green flame to connect

and hotwire my breath

with emerald respiration

and overripeness of fresh-fruit lips

spilling sweet elixir of tongue

into my starving mouth

 

because she's coming!

she said so!

she's coming

and this time she's for real/

and it's ok for me to feel

all my dreams of together

and things will be better and we can move on

and bygones will be bygones and

 

two hours passed

my feet stir

and drag the sidewalk like

corpses on strings -

a "kick me" shadow glued to my heels

by a bully sun/

i swallow hard to keep my heart

from falling out my lips

don a ten ton mask of stone-face

to dam the threatening flood from my eyes/

 

at the intersection of noonday traffic rivers

a "don't walk" sign's siren song

is so sweet/

i believe i'll walk the waters

like Jesus.  

(c)2004 Pranoto

Sifted

through uncertain armies

of women fingers

i am a kernel among men-grains

membranes of windowpanes blemishing cocoon walls

everlasting love letters disintegrating into drywall

like bloodstains saturating

red clay

 

a carousel of  world revolving

lifting and falling

always just beyond reach

as i stand still as incarcerated time

the odor of fossiled  warfare peppering

wide-open nostrils' doorless doorways

a brass ring of fire i once called sun jeering

like a jackal at exposed hide

 

i scoop the clay

penetrate it with desperate teeth

suck it hard and deep

swallow it's oldness

fashion earthy shoulders to kiss

terrestrial ocher nipples

nightcrawler lips and hourglass tongue

roll naked in it's spread mud thighs

humping long backbeats of blues

old as the first soul that emerged

from the bowels of mud

and sang hymns to an adoring sky

until bessie smith tattooed the truth with his favorite rib

into his abyss of apple-ached belly

 

let the air die inside

let fire of syllables

consume the ghosts in pyres of verses.

spread ashes like prayer shadows across the

embattled skin of lake michigan.

 

let love songs bleed and indict.

let el trains turn curved corners

that echo her hips

and scream her names for the billionth time

through raw-throated rails

for only God and me to hear

 

let a mocking wind braid bruised locs

with a willow's tendrils and

weep wasted days into my skull

let the cold days gray to an indigo tomb

and the moon glow white with frozen hope

let me close my eyes

still my heart

and breathe again.

 

Numb

we

sift

through ashes

until our fingers

find

signs of life

discarded

heartbeats in coma

needing kiss-breath to

resuscitate

 

we

walk

where there is no ground

fear spheres of

completed mirror reflections

holding the colors

of mistakes

like collection plates

filled with dead telephones

dented dreams

and hopes swinging as

strange fruit from

familiar

nooses

 

i need a

baptism

ice water to shock

skin back to innocence

bury scars

under living billows

of H2O

 

i left my heart between

the thighs of a woman

my breath is trapped

in her lungs/

she keeps my songs

locked

in a pocketbook

covered in a dust trenchcoat

fathoms deep

under the bed/

my dreams are her

earrings

she removes them when she sleeps/

i live only

when she dreams

of me.  

(c)2004 Pranoto

Rest

even when the sun sags on the hips of horizon,

she wears shades 'cause

she never sees her twilight eyes

cappuccino suns rising,

painting skies of hue-less heartbeats dayglo.

 

she don't look like tisha campbell,

but could be sister to minnie or erykah.

she looks like mother of 2 men

and she looks like a broken mold

 

world-weary survivor of blind men and

daddies tappin' time to dead beats,

but she abides,

spills soft syllable torrents from her tongue like intelligent armies

quenching ears I never knew thirsted

until i saw her mouth autograph air.

 

she looks like the pretty mama her daddy dissolved into,

chocolate and musical,

coaxing a butterscotch baby to breathe.

daddy used to croon sweet tenor and pluck his guitar,

maybe that's why she's drawn to a man who sings,

or why she echoes the familiar curve of my guitar

when her waist's smallness pours itself into my palms;

 

and i am suspended animation.

i am the ultimate guitarist.

i am open and i am filled.

i am a heart slowed and checkin' out her scene,

and she (lookin' like the missin' part of my hip) says,

 

"my lips are too damn big!"

 

and makes me burn to brush against their plush cushions,

and use them as disciples that match the movement

of mine as i whisper her name,

and show her my kisses are prayers for repetition

as i exist in the wishing to claim

her mouth as my holy grail.

 

and when an albino moon has enslaved the black skin of sky

and gifted it deep blues,

i reach to her,

brush her cheek with the backs of fingers

as i remove her shades.

she frowns slightly and magnificently

and bonfires bloom in my chest.

 

people call her “woman”

but i call her "rest."