MARK TURCOTTE

 

All poems (c)2002 Mark Turcotte, reprinted by permission from the collection, Exploding Chippewas (TriQuarterly Books/Northwestern University Press).

 

All Photography (c)2004 Fred Ellis

 


BURN

 

Back when I used to be Indian

I am crushing the dance floor,

jump-boots thumping Johnny Rotten

Johnny Rotten. Red lights blue bang

at my eyes. The white girl watching

does not know why and it doesn’t matter.

I spin spin. Eat I don’t care for breakfast,

so what for lunch. She moves to me,

dark gaze, tongue hot to lips. The music

is hard, lights louder. She slides low

against my hip to hiss, go go Geronimo.

I stop.

All silence he sits beside the fire

at the center of the floor, hands stirring

through the ashes, mouth moving in the shape

of my name. I turn to reach toward him,

take on step, feel my skin begin

to flame away.

   

MOTION

 

Back when I used to be Indian

I am holding the words deep

in my throat. The black and

silver Mustang slices

silently toward an ancient orange

West Texas sky. The steering wheel

shakes and hums in my hands

like a dowsing stick. The sun

is a bruise on the horizon.

In the distance pump-jacks peck

relentless at the earth.

To left and right the world

is a blur of endless fences

draped with coyote skins.

Flexing my fingers I glance

over at her soft brown

knees. This is the place.

I cough.

Maria laughs, stars spin from

her teeth as night encircles us

with sound. Wings, howling.

She throws her arms around

my neck and everything

is swallowed.

 

 

CALL

 

Back when I used to be Indian

I am stretching out beneath

her, the thin white curtains

waving like wings above

our bed. The drowsy bird

of me unfolds into her hands.

She grins, crawls over me, shakes

her head. The long black

feathers of her hair fall between

my teeth as I rise

into her dark and trembling hips.

Against the wall Jesus

dangles from his cross, eyes

searching for the sky.

I hear children out in the yard.

They chase chickens in circles of laughter,

while in the shade of a ragged pecan

tree Abuela is coughing, grinding

the corn into dust, mutter,

oh Dio mio, Dios mio.

I rise again.

A table in the corner begins

to shudder. Over and over she falls

upon me. The eyes of Jesus.

The ceiling cracks open. Angels and

adobe crash into the room.